This work elegantly demonstrates how Sufi mysticism dissolves geopolitical boundaries by redirecting the seekerโs gaze from external maps to the internal landscape of the heart. It is a vital restoration of Sindhi heritage that transforms the act of self-annihilation into a profound bridge for cultural reconciliation.
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I Saw Myself - Pakistan Edition: Book Review, Verses & Launch Highlights - EFTIndexed:
One palace, one million doors. Countless windows in between. From wherever I look... the Beloved is before me. In this video, we review the definitive Pakistan Edition of 'I Saw Myself' by Shabnam Virmani and Vipul Rikhi. Published by the Endowment Fund Trust (EFT) for the Preservation of the Heritage of Sindh, this masterpiece brings the oral traditions of the 18th-century mystic poet Shah Abdul Latif Bhitai to life, completely restoring his original Sindhi verses to the page. ๐ฅ Watch the Live Book Launch Event here: https://www.youtube.com/live/8fb8_blv9HQ?si=OtxJwi0WWLA1BLbP ๐ Secure your physical copy of this heritage masterpiece here: Available at: Liberty books, Mohatta Palace Museum, Karachi Besant Hall Cultural Centre, Hyderabad Online: https://eftsindh.org.pk/product/i-saw-myself/
One palace, one million doors. Countless windows in between. From wherever I look, the beloved is before me.
This is the spiritual architecture of Shah Abdul Latif Betai. A palace where every opening leads back to the one. In 2009, Shabnam Vmani and Vipple Ricky began a journey across an invisible line. They were seekers exploring the land of Kutch, thirsting for a fuller immersion in an oral tradition held just across the border by political hostilities.
This book is the map of that thirst.
I saw myself is a collaborative immersion into the legacy of the 18th century Sufi poet. It serves as a bridge between geographical and political divides through the power of folk music and oral traditions.
The journey of Sasui is the path of austerity. It is a transformation through fire where the seeker must raise their world to nothing and invite death as an escort to cross the rough mountain standing between her and the beloved.
Between me and him, a mountain rough and steep. Those who cling to life are daunted, dismayed.
I invite death as escort and cross over.
>> Shabnam Virmani's book is being launched today. Welcome uh Shabnam and thank you for joining us. I am very indebted to endowment trust fund for for doing this and for in a sense breaching uh this border that keeps us apart.
So this was a dha kabir that I had uh heard Bi I stupid girl did I forgot I myself Vampenhu I wasted all this time searching for him. No knowledge is worth anything without a glimpse of the beloved within.
In the story of Nuri, the humble fisherwoman, we see how the lifting of a veil can set the world of flame with light. It is the beauty of a soul that has completely surrendered, transfiguring the night into a radiant dawn.
Kencha looks a flame. Where is this light coming from at this hour of the night? There is neither cloud nor lightning nor the blaze of the sun. It was the veil lifting just a little from her face.
Charlott chose the lingo of the layman Cindy to deliver a radical manifesto of love.
By restoring the original Cindy verses to this work, the endowment fund trust has brought this defiant message home to the people of Pakistan.
They struck a wondrous deal. The string, the dagger, and the head.
The oasis you seek is in your heart.
Die today for tomorrow is too late.
I saw myself. Journeys with Charlotte.
Published by the endowment fund trust.
Secure your copy. Hold the history of your soul in your hands.
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