Chiang proves that the most powerful world-building occurs when the hand of the creator becomes entirely invisible. This video is a sharp reminder that technical perfection is only successful when it serves the story without ever demanding credit.
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How "The Mandalorian and Grogu" came to life through production designインデックス作成:
"Star Wars: The Mandalorian and Grogu" production designer Doug Chiang says the film "pushed the boundaries of design." He walked us through some of his design choices during a special set visit. Watch the film in theaters May 22. Follow @OnTheRedCarpet on Twitter: https://www.twitter.com/OnTheRedCarpet Like @OnTheRedCarpet on Facebook: https://www.facebook.com/OnTheRedCarpet Follow @OnTheRedCarpet on Instagram: https://www.instagram.com/ontheredcarpet Follow @OnTheRedCarpet on TikTok: https://www.tiktok.com/@ontheredcarpet Follow @OnTheRedCarpet on Threads: https://www.threads.net/@ontheredcarpet
The Mandalorian Grogu is a perfect example of where we push the boundaries of design. Strap in.
I think I have one of the best jobs on the film because I get to design all the visuals and I love [music] the idea of a huge universe.
Hey, >> [snorts] >> never touch the buttons. George created such a rich tapestry that there's many pieces to it.
>> I only hunt Imperial war criminals.
I'll take out every bad guy in your deck of cards. I mean, I love the grind because of the original trilogy was what I grew up with. And part of our job as production designers is really to create a reality where the audience doesn't question what we're doing.
>> [music] >> They just believe it. And so, a lot of our craft is about hiding the actual construction and the seams of actually putting the sets together. Impressive.
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