Music Theory: Unlocking Harmony and Counterpoint Secrets

Indexé : 2026-05-20

[00:00:00]Now, this an example, the first example, we have 358.

[00:00:05]Then six, >> [music] >> okay.

[00:00:08]7777768.

[00:00:11][music] So, 358 then it passes to three-part harmony.

[00:00:17]Where this note, as you can see, is prepared. So, then let's color with red the notes which are struck.

[00:00:24]The third and the octave, so the bass.

[00:00:26]Then the bass and the third. The bass and the third. The bass and the third.

[00:00:31]The bass and the third.

[00:00:34]The other notes, green, let's say, this this this and this, they are prepared, so they're not struck. You can struck them, of course, especially if you're playing on the article, but on the organ, uh since it has a continuous sound, it's much more pleasant if you make them continue. If we want to add a fifth voice with a fifth, so singing, for example, the fifth, we could have this or better.

[00:01:01]A unison from G.

[00:01:05]Which is the octave.

[00:01:09]Octave.

[00:01:10]Five, octave, five, eight.

[00:01:16]>> [singing] >> Eight.

[00:01:19]>> [music] >> Then it should cross somewhere. For example, it could do this.

[00:01:27]Um um for example. Okay.